Keith Sonnier

Since the mid-1960s, Keith Sonnier seamlessly integrated an array of media into his practice while prioritizing concept, process, and duration. This presentation marks the artist’s first posthumous institutional exhibition in the United States, featuring a group of works realized between 1968 and 1970. During this formative period the artist radically reconsidered the haptic, spatial, and temporal dynamics of sculpture: from what he referred to as his “floor-to-wall” sculptures to installations that envelop their architectural surroundings with light and color.